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Miginiac, in The Chemistry of the Metal-Carbon Bond, Vol 3, F R Hartley and S Patai, eds, Wiley, Chichester, 1985, 2, p 99 506 W Carruthers, in Comprehensive Organometallic Chemistry, Vol 7, G Wilkinson, F G A Stone, and E W Abel, eds, Pergamon Press, Oxford, 1982, 49, p 661 507 J R Zietz, Jr, G C Robinson, and K L Lindsay, in Comprehensive Organometallic Chemistry, Vol 7, G Wilkinson, F G A Stone, and E W Abel, eds, Pergamon Press, Oxford, 1982, 46, p 365 508 P Knochel, in Comprehensive Organic Chemistry, B M Trost and 1 Fleming, eds, Vol 4: Additions and Substitutions at C-C n-Bonds, M F Semmelhack, ed, Pergamon Press, Oxford, 1991, 44, p 865 509 H Lehmkuhl and K Ziegler, in Methoden der Organischen Chemie (Houben-Weyl), Vol 13/4: Metallorganische Verbindungen, Thieme, Stuttgart, 1970, p 184 510 G R.

Jeon et al., 2003

Figure 11.1 The Internet protocol suite (TCP/IP). The Network Access layer of TCP/IP (the layers are never numbered, only named) forms the lowest layer of the stack. Note the many choices not all of which are shown for the frame types that IP packets can be placed in. Other protocol stacks (e.g., X.25, SNA) define the frame structure as well as the packets structure. TCP/IP does not; this is the secret to running on everything. With two exceptions, SLIP (Serial Line Interface Protocol) and PPP (Point-to-point Protocol), all the TCP/IP standards documents specify is how to put IP packets inside this particular type of frame at the sender and how to take the IP packets out again at the destination. It is a simple enough trick, but one that took years to figure out. The set of standards documentation for TCP/IP, known as RFCs (Request for Comments, although no one is really asking anyone to comment), are issued by the Internet Engineering Task Force (IETF). Several RFCs pertaining to frame relay will be discussed in this chapter.

Lappin, in Alpha Olefins Application Handbook, G R Lappin and J D Sauer, eds, Marcel Dekker, New York, 1989, 3, p 35 511 E Negishi, Pure Appl Chem 53,2333 (1981) 512 E Negishi, D E Van Hom, and T Yoshida, J Am Chem Soc 107,6639 (1985) 513 H Lehmkuhl, Bull Soc Chim Fr II-87 (1981) 514 J G Duboudin and B Jousseaume, J Organomet Chem 162,209 (1978) 515 J F Normant, G Cahiez, M Bourgain, C Chuit, and J Villieras, Bull Soc Chim Fr 1656 (1974)..

Video Settings, Frame Rate: The frame rate depends on the length of your clip If you have a 2-second clip, then a setting of 6 fps results in a 12-frame sequence, which is imported into Flash Higher frame rates equal more individual frames that Flash needs to animate Basically, you want to obtain a balance between a minimum number of frames and a smooth, believable sense of movement without the sequence becoming too jerky or jumpy Special Processing: Because the Special Processing dialog gives you a live preview of each effect, you may want to experiment with different settings Noise reduction can smooth pixilated edges, while the de-interlace option averages the lower and upper fields for each frame rendering Otherwise, the field you specified in the New Project settings is used as when rendering the frame.

Typically, data to be used in a chart resides on a single sheet. Excel, however, does allow a chart to use series from any number of worksheets, and the worksheets need not even be in the same workbook.

The accompanying figure shows an example of a header image (a globe) used as a watermark. You can do a similar thing with text, of course.

De-interlacing is not recommended if you are scaling down any DV-format video that you want to convert to an image sequence Meaning, if you re outputting an image sequence at 720 480 (normal DV frame size), then you should turn de-interlace on If you are outputting at any size smaller than the original interlaced video, then leave the de-interlace option off 8 After you specify the settings for the export, you should create a new folder or choose an existing folder to store the image sequence When you name the export, don t worry about adding a number to the file name Premiere does this automatically For example, typing apple_ for the filename directs Premiere to call each frame of the sequence as follow: apple_01, apple_02, apple_03, and so on In Windows, the appropriate file extension is added as well, such as apple_01pct 9.