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should contain three linearly independent 3-vectors. 2. If Off 1 m f c i Crib1 p e s u t u r e r y should contain three linearly independent 3-vectors.

1 /2MnO2(s) + 1/2HCO3 +3/2H+ + e = 1/2MnCO3(s) + H2O FeOOH(S) + HCO3 + 2H+ + e = FeCO3(s) + 2H2O 1 1 2 /8SO4 = 9/8H+ + e = 1/8H2S(g) + 1/2H2O

Menus at the top of the screen provide access to commonly used commands within the program. The menus provide many of the same options available in other similar design programs; I discuss their specific commands as they become relevant within the course of the book.

stroke is added to the frame dimensions, and the dimensions shown in the Control panel and Transform panel reflect the strokes widths (see 11). This option helps you with precise placement because frames extend beyond the frame, so adding a 6-point frame to a rectangle in effect increases its width and height by 12 points (6 points on each side).

Protocol 7.15. Isolation of Cord Blood-Derived Embryonic-Like Stem Cells (CBEs)

Everyone always says that you can create as many colors as you could ever want when you use process colors. Maybe. In Illustrator, you can specify colors up to 1 100% accuracy. As a result, 10,000 different shades are available for each of the four process colors. So, theoretically, 10,0004, or 10,000,000,000,000,000, different colors should be available, which is 10 quadrillion or 10 million billion. Any way you look at it, you have a heck of a lot of color possibilities.

Sometimes, you need to adjust the path that makes up the area of the area type for example, when you scale a path up or down so that the text flows better. The trick here is to ensure that you select the entire path without selecting any of the characters. To do this, deselect the type and then select the path with the Group Selection tool (the hollow [white] arrow with the + sign). Now any changes you make affect only the path, allowing you to scale it, rotate it, or change its paint style attributes without directly affecting the text within it. Figure 9.12 shows a transformed path, which allows the text inside to flow differently. You can also use the Direct Selection tool to move individual points and control handles, and you can also use path editing tools to add, modify, and delete anchor points.

In Tracing Result mode, the Live Trace tool creates stroked paths of variable widths, as shown in Figure 13.4. In this example, I chose the Color 6 preset to make it easier to see the differences between the tracing modes. The end result is an image that has fills without outlining strokes.

A Farkas, L Farkas, and E K Rideal, Proc Roy Soc London, Ser A 146,630 (1934) S J Thomson and G Webb, J Chern Soc, Chern Cornrnun 526 (1976) F Zaera, A J Gellman, and G A Somorjai, Acc Chern Res 19,24 (1986) G A Somorjai, Catal Lett 12, 17 (1992) F von Wessely and H Welleba, Chern Ber 74, 777 (1941) S Siegel and G V Smith, J Arn Chern Soc 82,6082,6087 (1960) S Siegel and B Dmuchovsky, J Arn Chern Soc 86, 2192 (1964) S Mitsui, S Imaizumi, A Nanbu, and Y Senda, J Catal 36, 333 (1975) R L Augustine and F Yaghmaie, J Org Chern 52, 1862 (1987) G V Smith and R L Burwell, Jr, J Arn Chern Soc 84, 925 (1962) A W Weitkamp, J Catal 6, 431 (1966) A W Weitkamp, Adv Catal 18, 1 (1968) E F Meyer and R.

Wrapping Text RAND and RANDBETWEEN Physical File Access Change Control Working with Auto Filters PivotTables with Varying-Size Import Data Using Inlining with calendar arithmetic Eliminating Unneeded Data On the Home Stretch Physical File Access Using Inlining with calendar arithmetic Using Capitalization to Locate Errors Testing for Data Types and Cell Properties Clerical Errors Macro Security Dynamically Updated Text in a Chart DAY, MONTH, and YEAR Representing Angles

FIGURE 23.5 The Type pop-up menu s options in the Page Reference Options dialog box (The New Page Reference dialog box is identical except for the name.)